The Story of Squaw Jim, We’Wha, Botés, Berdaches and Winktes

The Story of Squaw Jim, We’Wha, Botés, Berdaches and Winktes

The black and white postcard above has been in my library as long as I can remember; I never studied it closely, thinking it was an old late nineteenth century - early twentieth century photograph of two native women, two sisters or female family members. Reminding me of two recent Higher Haven visitors, two sisterly gals who were happy to reconnect at a summer Ceremonial gathering, I corresponded with them later by mail, bringing the old photo to mind. Addressing it, I was surprised to find this blurb on the back:

“SQUAW JIM, Osch-Tisch ‘Finds Them and Kills Them’ (1854-1929). This remarkable photograph is titled ‘Squaw Jim and His Squaw’. On the left is Squaw Jim, a biological male in woman’s attire — a Crow Berdache or male homosexual afforded distinctive social and ceremonial status within the tribe. In addition to the special attributes that distinguished the berdache or boté, Squaw Jim served as an enlisted scout at Fort Keogh and achieved a reputation for bravery when he saved the life of a tribesman at The Battle of Rosebud, June 17th, 1876. This 1877 photo is the earliest known of a North American Indian Berdache.”

Interesting to note that my Teacher’s Teacher Chief Leonard Emmanuel Crowdog’s family was at the Rosebud battle, still residing to this day in south central South Dakota, USA. The Lakota people, too, had their Winktes, the contraction of an old Lakota word, winyanktehca, meaning '[wants] to be like a woman', historically, the winkte considered a social category of male-bodied individuals who adopt the clothing, work, and mannerisms that Lakota culture usually considers feminine. However, in contemporary Lakota culture, winkte is usually used to refer to a homosexual man. Like the Crow, the tribe regarded them as regular members of the community, and not in any way marginalized for their status, while other accounts held the winkte as sacred, occupying a liminal, third-gender role in the culture, and born to fulfill ceremonial roles that could not be filled by either men or women.

This regard in traditional cultures for gender bending tribal members made a recent appearance in a Google Doodle focused on We’ wha, a well-recognized member of the Zuni tribe. “The late We’wha was an individual who exemplified one of the core values of the Zuni people,” goes the backstory, “And that was compassion.” Born in 1849 in Zuni, New Mexico, in the northwest corner of the state that is the tribe’s home, We’wha was born a male but identified as lhamana or female. The tribe’s first ambassador, she was accepted for who she was and visited Washington D.C., playing an influential role in getting the Zuni people’s voice heard and bridged an important gap in cultural understanding.

“You can call her a he, you can call him a her, but in the Zuni language there is a third gender — ihamana — or two-spirit”, similar in some ways to the Lakota Winkte. They too were highly regarded for their special, dual-role in society. The rest of the Google Doodle story honors We’wha, and, as it states, the hope upon viewing is that all people feel a connection to their own ancestry, as well as the strong individuals who came before us, and start a dialogue on what is important to us in our lives, as a tribe. “To hear the story of We’wha and how revered he was amongst his people should be a point of pride for all people, and an inspiration to go back and bring about their old customs, and remind the younger generation to think about the ambassadors and the care givers, the mothers and the fathers, individuals from the past who exemplify the culture.” And whose Spirits are in ways still with us today.

Fall Retreats, Private Visits & 2021's Close

Fall Retreats, Private Visits & 2021's Close

Autumn is upon us, Fall arriving in full force, the golden season, the time of death and renewal, the time to let shadow lengthen on the sundials as the poet Reiner Maria Rilke wrote, and in the pastures let the rough winds fly. It’s also a fabulous time to visit The Higher Haven, to experience the beauty of the transforming landscape, coupled with a practice that allows one to be touched by tranquility and nature in a deep, equally transformative way. It’s also the best time of the year for Ceremony, and, as it turns out this year, private visits. We’re happy to report that due to demand, we’ll be offering a special Nurture Positivity Weekend Retreat just prior to the hectic Holiday season, the weekend of November 20th. This will be a special offering with overnight accommodations available as well as additional techniques and teachings coupled with our Saturday November 20th Meditation + Mindfulness 101 class that was previously scheduled. We’ll be offering our monthly Ceremonial Weekend Overnight through December, and posting new 2022 retreats soon.

Until then, we do have limited spots for private lessons and visits through the end of the year. Here’s Summerlyn on her recent experience; “I can't express enough gratitude to Paul and The Higher Haven. Traveling a spiritual path can be tiresome and lonely at times. I found myself exhausted and in need of understanding and compassion. I booked a one-on-one session with Paul. He is a very compassionate listener who understood me and was able to provide me with a space to unravel, as well as a clarity to move forward. It was after our one-on-one one that I decided to participate in Ceremony. It was here that I remembered that as we move into trials and tribulations, that ancient truths were left to the world’s indigenous people for protection until it was needed. Now is the time to honor and remember who we really are. Ceremony also connected me to others that have a similar mindset. Finding others to take a stand with is always amazing for we are stronger when we stand together. I will always remember and cherish the love I found at Higher Haven. Thank you to Paul and The Higher Haven Community - an amazing group of people.” An ever-evolving and expanding group and one we hope you’ll be joining soon.

The Art of Banksy

The Art of Banksy

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Does Banksy ring a (meditation) bell? “We caught the Banksy exhibit when we were in Chi.” read my electric text. “Who’s Banksy?” was my fairly well-read sister’s reply. Huh. Slightly surprised me’s re: “Banksy the mystery graffiti artist guy? Which was my quick take on Banksy the internationally known (or so I thought), identity un-known UK-based artist who has been creating controversy on the walls of the world, both inside and out, for over 20 years. StartIng out as an illegal graffiti artist like Jean-Michael Basquait, within the space of a decade Banksy went from making his mark around his Bristol home to self-staging some of the most left-field, anarchic, press worthy, politically motivated and publicly engaging exhibitions that have ever been seen in Europe and abroad. When we saw the drippy, spray painted Art of Banksy billboard this summer the show made our radar. Then seeing it again Monday inspired a last-minute score of an online ticket to the 4pm show, an exhibit it appears is only opening stateside in Chicago and San Francisco, with the Chi installation heading West pre-Halloween.

Ergo we were happy to catch it, as i gunned and weaved through traffic to find a spot on South State Street for Roz Grrl my dog to chilliax in the car for a half-hour, just making the 4:30 cut-off entry time. This was a bit of a big deal to us, for a few reasons: first, once upon a time, I really enjoyed writing articles about things like artists and art exhibits. Prior to founding The Higher Haven, I’d grown - or rather didn’t grow- so tired of allowing my personal creative self-expression to being limited to writing advertising, feeling whatever little skill i had being wasted on hocking schwag to mankind, that i started an entire blog to focus more on spiritual writing and storytelling. I filled that blog and myself up for five years writing stories, and the Banksy exhibit brought some of that back. Before The Higher Haven blog was a marketing channel and a platform for recent visitor’s testimonials, there wasn’t much to to testify about, and so we worked at engaging people in different ways. i was reminded of a similar story and art show in New York City tens years back, when i played a self-directed part in artist Terence Koh’s Nothingtoodo. Loving artists and art, we’re of the belief that there’s a direct link between the level of one’s creative self-expression and one’s individual self-esteem, a vibe that’s a major element in the equation for healing at The Higher Haven.

Back to Banksy, the origins of the artist’s popularity undoubtedly sprung from the illegal artworks he produced on the streets. Banksy’s distinctive stencil aesthetic combined with humorous and satirical subject matters proved a memorable combination for passers-by. The Art of Banksy exhibition consists of some of the finest privately owned artworks from the artist’s career. The pieces of display were originally purchased by individuals from Banksy himself. The common thread that links these works was that the owners want to share them with the public rather than the works gathering dust in their house or in storage, believing these works should be seen. Of course they clarify that - not surprisingly - Banksy himself has given no acknowledgement of this exhibition, nor does he endorse or authorize it in any way. Also none of the works were taken from the street.

“Nobody listened to me until they didn’t know who I was”, said Banksy, a quote spotlighted on the darkened exhibit wall, and one I find funny in light of my media-savvy sister being unaware of him. He also said, “Think outside the box, collapse the box then take a sharp knife to it”, “In the future everyone will be anonymous for 15 minutes” (the Banksy spin on the old Warhol quote), and interestingly, “There is nothing more dangerous than someone who wants to make the world a better place.” Interesting because that seems to be Banksy himself, who has used his work to support worthwhile causes like deforestation in collaboration with Greenpeace. He also has what seems a pretty grounded take on the art world, calling it “the biggest joke going, a rest home for the overprivileged, the pretentious and the weak.” He followed through by releasing hundreds of rats at one gallery opening, and at another exhibited a live elephant painted the same color as the room’s wallpaper highlighting the proverbial Elephant in the Room, or problems we never talk about. “1.7 million people have no access to clean drinking water. 20 Billion people live below the poverty line. Every day people are made to feel physically sick by morons at art shows telling them how bad the world is but never actually doing anything about it. Anybody want a free glass of wine?”

My sister got right on it and sent breaking news on Banksy right back. A painting that he purposely shredded during a previous auction sold Thursday to an anonymous Asian collector for $25.4 million at Sotheby’s in London, setting a new record for the artist at auction. Banksy famously pranked the art world three years ago when he hid a remote controlled paper shredder in the gilt frame of one his paintings so it could self-destruct right after Sotheby’s auctioned it off. The shredder malfunctioned halfway through, leaving the bottom of the stenciled canvas dangling in crimped strips as collectors gasped and lined up for a closer glimpse. The artist soon went on social media and took credit for the stunt. And now, the anonymous buyer of that $1.4 million work has had the last laugh, selling the ribboned piece on Thursday for 18 times as much. How might Banksy’s art convey his next take on the truth? That remains to be seen - or unseen - but it could go in any possible direction, as the one truth, per my teacher John Ashbrook, “manifests in a million different facets.”

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